LET US write the histories of pop music (the plural has a certain importance). A history at once oral/aural but not linear or progressive. A history that snakes and twists and turns back on itself, a history of ruptures and wrong-turnings. But let us not start with The Beatles. . . let us start in the year Phil Spector wrote and produced his first hit, "To Know Him Is To Love Him", taking the title from his father's epitaph. Phil Spector, the first Tycoon of Teen, the first Pop Genius, the first person making this crazy new music who was actually of the age of its audience, the first guy with any power in the music industry who actually liked this stuff.Yes, and their music does sound a lot like The Ronettes. Especially "Feminist Complaints," which you can listen to on their Myspace. It's only 1:53!
The only reservation I have about this group is that they were manufactured. You know, like The Monkees and The Spice Girls. According to Wikipedia, "The promoter Monster Bobby formed the group with the intention of reviving the traditional Phil Spector pop sound and giving it a modern twist. To this end he recruited three frontwomen to be the public face of the group."
Not that there's anything wrong with that, as long as great music gets done. The Monkees, of course, showcased Neil Diamond's excellent songwriting. Most orchestras and drama companies recruit their members.
Whatever they are controlled by, The Pipettes stand for the rewriting of history; they actually acknowledge the existence of pop music before The Beatles. That's commendable.
Unfortunately, their CD is not sold in the United States and it's $30 if you want to get it imported on Amazon.
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